Occupying the whole of the eastern side of the eponymous square, the Capitole has been the seat of Toulouse's city government since the twelfth century. In medieval times it housed the capitouls, who made up the oligarchic and independent city council, from which its name derives. This institution, under the name of consulat, was common to other Languedoc towns and may have been the inspiration for England's first parliamentary essays, often attributed to Simon de Montfort, son of the general who became familiar with these parts in the course of his merciless campaigns against the Cathar heretics in the early 1200s. Today, these medieval origins are disguised by an elaborate pink and white classical facade (1750) of columns and pilasters, from which the flags of Languedoc, the Republic and the European Union are proudly flown. If there are no official functions taking place, you can have a peek inside (Mon–Fri 9am–5pm, Sat 9am–1pm; free) at the Salle des Illustres and a couple of other rooms covered in flowery, late nineteenth-century murals and some more subdued Impressionist works by Henri Martin.Many of the old capitouls built their hôtels in the dense web of now mainly pedestrianized streets round about. The material they used was almost exclusively the flat Toulousain brick, whose rosy colour gives the city its nickname of Ville Rose. It is an attractive material, lending a small-scale, detailed finish to otherwise plain facades, and setting off admirably any wood- or stonework. Although many of the hôtels survive, they are rarely open to the public, so you have to do a lot of nonchalant sauntering into courtyards to get a look at them. The best known, open to visitors thanks to its very handsome Bremberg collection of paintings, is the Hôtel Assézat, at the river end of rue de Metz (Tues, Wed & Fri–Sun 10am–6pm, Thurs 10am–9pm; €4.57, plus €3.05 for temporary exhibits; www.fondation-bemberg.fr). Started in 1555 under the direction of Nicolas Bachelier, Toulouse's most renowned Renaissance architect, and never finished, it is a sumptuous palace of brick and stone, sporting columns of the three classical orders of Doric, Ionic and Corinthian, plus a lofty staircase tower surmounted by an octagonal lantern. The paintings within include works by Cranach the Elder, Tintoretto and Canaletto as well as moderns like Pissarro, Monet, Gauguin, Vlaminck, Dufy and a roomful of Bonnards. From April to October there's also a salon de thé in the covered entrance gallery. Other fine houses exist just to the south: on rue Pharaon, in place des Carmes, on rue du Languedoc and on rue Dalbade, where the Hôtel Clary (also known as de Pierre), at no. 25, is unusual for being built of stone. To the north, it's worth wandering along rue St-Rome, rue des Changes, rue de la Bourse and rue du May, where the Hôtel du May at no. 7 houses the Musée du Vieux-Toulouse (mid-May to mid-Oct Mon–Sat 2–6pm; €2), a rather uninspiring museum of the city's history.
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