Pride of place in Nancy must go to the beautiful place Stanislas, the middle of which belongs to the solitary statue of its inspirer, the portly Stanislas himself, who was responsible for laying out the square in the 1750s. On the south side stands the imposing Hôtel de Ville, its roof-line topped by a balustrade ornamented with florid urns and amorini, while along its walls lozenge-shaped lanterns dangle from the beaks of gilded cockerels; similar motifs adorn the other buildings bordering the square – look out for the fake, two-dimensional replacements. Its entrances are closed by magnificent wrought-iron gates, with the best work of all in the railings of the northeastern and northwestern corners, which frame glorious fountains dominated by statues of Neptune and Amphitrite.In the corner where rue Stanislas joins the square, the Musée des Beaux-Arts (daily except Tues 10.30am–6pm; €4.57, or €5.34 if there's an exhibition; €6.10 combined ticket with Musée de l'École de Nancy) has an excellent presentation of French nineteenth- and twentieth-century art on the ground floor, with a good selection of paintings by Émile Friant and Nancy's own Victor Prouvé, as well as a Manet, a Matisse and a Picasso. The rest of the collection upstairs, encompassing Italian, German, northern European and the rest of French painting, is less interesting. Time is better spent in the basement, where works from Nancy's glass company, Daum, are beautifully lit in black rooms. The layout of the basement follows the shape of fortifications dating from the fifteenth century through to Vauban's seventeenth-century alterations, which were found during the 1990s renovation. For a glimpse of Daum's contemporary creations you can visit their shop, also on place Stanislas. A short walk east of the square is the excellent Muséum-Aquarium de Nancy, at 34 rue Ste-Cathérine (daily 10am–noon & 2–6pm; €4.55). Upstairs is a colossal collection of stuffed animals and birds, while downstairs is a startling aquarium of exotic fish whose colours surpass even the daring of Matisse. On its north side, place Stanislas opens into the long, tree-lined place de la Carrière, a handsome eighteenth-century transformation of what was originally a jousting ground. Its far end is closed by the classical colonnades of the Palais du Gouvernement, former residence of the governor of Lorraine. Behind it, housed in the fifteenth-century Palais Ducal and entered through a handsome doorway surmounted by an equestrian statue of one of the dukes, is the Musée Lorrain, 64 Grande-Rue (daily except Tues: 10am–12.30pm & 2–6pm; closed public hols; €3.10, €4.60 combined ticket with the Musée des Cordeliers). Dedicated to the history and traditions of Lorraine, it contains, among other treasures, a room full of superb etchings by the Nancy-born seventeenth-century artist, Jacques Callot, whose concern with social issues, evident in series such as The Miseries of War and Les Gueux (or The Beggars), presaged much nineteenth- and twentieth-century art. Next door, in the Église des Cordeliers et Chapelle Ducale, is the Musée des Cordeliers (same hours as Musée Lorrain; €3.10, €4.60 combined ticket with the Musée Lorrain), where rural life in the region in days gone by is illustrated. On the other side of the Palais du Gouvernement, you can play crazy golf, admire the deer or just collapse with exhaustion on the green grass of the Parc de la Pépinière, a sort of cross between a formal French garden and an English park – there's also a free zoo. At the end of Grande-Rue is the medieval city gate, Porte de la Craffe. A half-hour walk southwest of the train station, the Musée de l'École de Nancy, 36 rue Sergent-Blandan (Wed–Sun 10.30am–6pm; €4.57, free first Sun of month 10am–1.30pm), is housed in a 1909 villa built for the Corbin family, founders of the Magasins Réunis chain of department stores. Even if you're not into Art Nouveau, this collection is exciting. Although not all of it belonged to the Corbins, the museum is arranged as if it were a private house. The furniture is outstanding – all swirling curvilinear forms – and the standards of workmanship are superlative, with a fair sprinkling of Gallé's work on display, too. The beautiful gardens are worth exploring – they're planted with irises, magnolias, saxifrages and all kinds of other plants that inspired the School of Nancy's creations.
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